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Re-Assessing Nationalism in the Art Songs of Jaime León

Description: Colombian composer Jaime León (1921-2015) is known for his art songs. Most of the current scholarly literature about León defines him as a nationalist composer even though a majority of his songs do not appear to have nationalist traits. This document examines a representative selection of León's songs divided into three categories: songs influenced by the bambuco (the Colombian genre most present in his songs); songs whose text refers to Colombian culture; and songs without Colombian elements … more
Date: December 2020
Creator: Ávila Martínez, Juan Sebastián
Partner: UNT Libraries
open access

Soviet Music as Bricolage: The Case of the Piano Works of Nikolai Rakov (1908-1990)

Description: Much socialist realism art from Soviet-era Russia has been misunderstood by scholars. It has been considered "synthetic art," which ordinary citizens were forced to admire under the Soviet regime. It also has been interpreted as peasant kitsch art because of its seemingly unacademic and unchallenging theoretical language utilized in order to meet the expectations of Soviet communism. This ideology conditioned artists to make art accessible and nationalistic to serve the perceived needs of the R… more
Date: May 2020
Creator: Kumamoto, Yuki
Partner: UNT Libraries
open access

A Pedagogical Guide to Teaching Tone Production for Elementary-Level Piano Students, with Examples from Appropriate Elementary-Level Music

Description: The early stage of piano students' training is one of the most important, because it is then that they establish their habits for life. Those who teach beginners need clear principles for developing a solid technical foundation and for preventing bad technical habits. One of the most difficult principles to inculcate in young students is that of tone production and quality. The primary purpose of this study is to provide a pedagogical guide to help piano teachers teach tone production to elemen… more
Date: August 2020
Creator: Kim, Gyuwan
Partner: UNT Libraries
open access

An Orchestral Approach to Johannes Brahms' "Variationen und Fuge über ein Thema von Händel," Op. 24: Orchestral Transcription as an Interpretive Tool

Description: This dissertation provides an interpretive guide to Variationen und Fuge über ein Thema von Händel, Op. 24, written in 1861 by Johannes Brahms (1833–1897), in orchestral terms, using as basis the orchestral transcription by Edmund Rubbra (1901–1986), published as his Op. 47 in 1938. Not only does Brahms' Variationen present players with considerable pianistic difficulties, its intense harmonic and polyphonic structures make the music sound symphonic. The English composer Edmund Rubbra, a great … more
Date: December 2020
Creator: Yun, Hee Sun
Partner: UNT Libraries
open access

Bohuslav Martinů's Oboe Concerto, H. 353: A New Piano Reduction of the Orchestral Score

Description: Bohuslav Martinů's "Concerto for Oboe and Small Orchestra" is one of the most frequently played pieces in the oboe repertoire. For this reason, it is often played with the piano reduction instead of the orchestra in oboe recitals. However, the existing piano reductions include many errors and discrepancies from the orchestral score, misrepresent the orchestration, sometimes fail to make the oboe entries clear, and tend to be unplayable for pianists. Moreover, the scores were published after th… more
Date: December 2020
Creator: Jeoung, Ko Eun
Partner: UNT Libraries
open access

The Rise and Fall of Piano Improvisation in Western Classical Music Performance: Why Today's Piano Students Should be Learning to Improvise

Description: Improvisation is an art form which has arguably been present since the existence of music itself. Inventing music on the spot, like spontaneous speech, is a common expression of artistry throughout history and across musical boundaries. While improvisation has maintained its importance in jazz, classical organ music and the music of many eastern cultures, this dissertation will focus on the presence of improvisation as acceptable performance practice within the tradition of western classical mu… more
Date: May 2020
Creator: Vigran, Joshua
Partner: UNT Libraries
open access

Let Music Speak Day and Night: A Performance Guide for George Enescu's "Impressions D'enfance for Violin and Piano"

Description: In the world of chamber music, programmatic suites are more rarely composed and consequently more rarely presented in recital than other musical forms. Perhaps partially for this reason, George Enescu's Impressions d'enfance for violin and piano, his last chamber piece written in the tumultuous year of 1940, has been overlooked for a long time; even the composer himself did not make a recording of this seldom performed piece. This dissertation examines Impressions d'enface in order to explore t… more
Date: December 2020
Creator: Huang, Chenshayang
Partner: UNT Libraries
open access

A Performance Guide to Wu Yiming's "A Poem Carved in Stone"

Description: A Poem Carved in Stone, a work for piano solo by Washington DC-based Chinese composer Wu Yiming was composed in Spring 2020 and is dedicated to the author of this dissertation. The piece is inspired by the poetry of Han Shan, a recluse who lived during the Tang Dynasty (618-907 A.D.). His poetry is in Chan (Zen) tradition. Wu depicts the imagery and philosophy in Han Shan's poetry through highly complex rhythms, extreme sound effects and pitches, tone clusters, and extended piano techniques. T… more
Date: December 2020
Creator: Xie, Dongni
Partner: UNT Libraries
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