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Texu Kim's "Le Temps Déformé for Solo Flute, Percussion and Strings": Background and Analysis

Description: The purpose of this dissertation is to introduce Le Temps Déformé for solo flute, percussion, and strings, composed by Korean American composer Texu Kim (b. 1980) in 2017. The dissertation includes an analysis of the work and its background, to show that it represents a significant expansion of the concerto repertoire for solo flute and to help performers interpret it. This piece of writing should also contribute to the available sources about the composer Texu Kim, given that it is the first d… more
Date: August 2022
Creator: Lee, Jeong Hoon
Partner: UNT Libraries
open access

Johann Sebastian Bach's Partita for Solo Flute, BWV 1013 Transcribed and Arranged for Guitar: A Musico-Rhetorical Performance Guide

Description: The main purpose of this dissertation is to offer classical guitarists an additional analytical technique for interpreting and performing the music of Johann Sebastian Bach. While this mode of analysis can be successfully applied to any of the instrumental works by Bach frequently transcribed and performed by guitarists, I have chosen for this study my recent transcription of the Partita in A minor for solo flute traverso, BWV 1013. With a continuo-based, harmonic realization of the Partita, I … more
Date: August 2022
Creator: Burns, Bryan Keith
Partner: UNT Libraries
open access

Wayne Barrington (1924-2011): Examining His Life, Career and Teaching through His Published and Unpublished Works and Interviews with His Former Students and Colleagues

Description: Wayne Barrington was a tenured member of the Chicago Symphony Orchestra for ten years and held positions with the LA Philharmonic, Pittsburgh Symphony, and San Antonio Symphony. He was an early member of the Chicago Brass Ensemble and a founding member of the LA Brass. While performing in these major orchestras and brass quintets, Barrington played alongside many notable musicians including Philip Farkas, Forrest Standley, Arnold Jacobs, Bud Herseth, Frank Crisafulli, Miles Anderson, Roger Bobo… more
Date: August 2022
Creator: Sczepanik, Alexis
Partner: UNT Libraries
open access

Franz Schubert's op. 59, Performance Edition: A Vocal Approach for the Novice Bass Tuba Player

Description: The purpose of this project is to help bridge the gap of available solos for the novice bass tuba player. It is necessary for the growing tuba player to transition to the bass tuba for solos at the professional level, but the majority of pieces that are written for the bass tuba are at the professional level, and it leaves very little for the transitional phase from a repertoire standpoint. Through transcribing vocal works, an aspiring bass tuba soloist can focus on fundamental aspects of tuba … more
Date: May 2022
Creator: Humphreys, David Kyle
Partner: UNT Libraries

Vocal Fold Onset and Its Effect on the Spectral Envelope

Description: The purpose of this study is to examine the acoustic implications of using aspirated, well-coordinated, coup de la glotte, and hard glottal onset methods, in order to compare and contrast the radiated acoustic spectra. Twenty-five singers trained in bel canto singing style were asked to sing 5-second samples on three pre-determined pitches comprising the low, middle, and high range in male and female voices. Each participant was instructed and trained to sing the three pitches with the four met… more
Date: May 2022
Creator: Austin, Kourtney Regan
Partner: UNT Libraries
open access

John Playford's The Division Violin: Improvisation and Variation Practice in English Violin Music of the Seventeenth Century

Description: English publisher John Playford (1623-1686/1687) first published his "The Division Violin: Containing a Collection of Divisions Upon Several Grounds for the Treble-Violin" in 1684. The first edition of this violin collection contains 26 written-out examples of improvisation, serving as a living snapshot of the performance practice of the time. This research is based on the second edition, which Playford had expanded into 30 pieces for the violin, published in 1685. The purpose of this study is … more
Date: August 2017
Creator: Chan, Tzu-Ying
Partner: UNT Libraries
open access

The Use of the Trumpet in Early Seventeenth Century Spanish Music Dramas: A Comparative Analysis of Selected Works by Sebastián Durón, Joaquín Martínez de la Roca, and Alessandro Scarlatti

Description: The purpose of this project is to conduct and analysis of the role and symbolism of the trumpet in two early eighteenth century Spanish music dramas: La Guerra de los Gigantes by Sebastian Duron and Los Desagravios de Troya by Joaquin Martinez de la Roca.
Date: December 2016
Creator: Duell, Trevor
Partner: UNT Libraries
open access

Two Harpsichord Sonatas by Antonio Soler: Analysis and Transcription for Solo Guitar

Description: There is a puacity of original works from the Baroque Era for the guitar. Transcriptions, especially music originally for harpsichord, complement the guitarist's repertoire. Dominating the priviledged space in the guitar canon, represented by Baroque transcriptions, are the composers Johann Sebastian Bach, George Frideric Handel and Domenico Scarlatti. Underrepresented in the Baroque guitar canon is the music of Spanish composers, most noteworthy, the harpsichordist Padre Antonio Soler, who com… more
Date: August 2016
Creator: Daniel, Andrew
Partner: UNT Libraries
open access

Embracing Internationalism: An Examination of Mario Lavista with an Analysis of Cinco Danzas Breves

Description: Mario Lavista (b.1943) is widely acknowledged as one of Mexico's foremost living composers. Having acquired his music education in his native Mexico and in Europe alike, he is similar to numerous other Latin composers who were building a career in the latter half of the twentieth century. During this time, composers were relying on international aspects of avant-garde techniques, and using nationalistic Latin rhythms and melodies less. Lavista embraced internationalism, and aimed to compose wor… more
Date: May 2017
Creator: Thiemann, Amy
Partner: UNT Libraries
open access

Elsa Ludewig-Verdehr: American Clarinet Performer and Pedagogue

Description: Method books are a major means by which musicians study techniques and performance practices of the past. In addition to being practical tools for learning one's craft, these books serve as a historical reference into the minds of famous performers and teachers. Today's use of nineteenth century method books ensures the instructional lineages of famous clarinetists are carried forward. However, clarinet researchers and historians would be remiss if they did not also record and preserve the dist… more
Date: August 2018
Creator: Daffinee, Jennifer Mendez
Partner: UNT Libraries
open access

Suona la tromba: A Discussion of the Trumpet Aria through the Works of Giovanni Legrenzi and Carlo Pallavicino

Description: The early trumpet arias by Giovanni Legrenzi and Carlo Pallavicino are important works in the trumpet repertoire that have remained relatively unpublished and unstudied. This dissertation will look at the history of the trumpet in opera, discuss the development of the trumpet aria, and provide examples of how to approach the performance of the trumpet aria. Through study and performance of the early trumpet arias by Legrenzi and Pallavicino, trumpet soloists will be able to learn the necessary … more
Date: August 2018
Creator: Wallin, Spencer
Partner: UNT Libraries
open access

Sonorous Andean Landscapes: A Performance Guide for Guevara Ochoa's "Yaraví, Danza y Huayno" (n.d) and Vivanco's "Fantasía Andina" (c. 1988)

Description: Peruvian composers Armando Guevara Ochoa (1926–2013) and César Vivanco (b. 1949) borrow and transplant musical elements from Andean folk tradition into their compositions for the modern classical flute. Guevara Ochoa's Yaraví, Danza y Huayno and Vivanco's Fantasía Andina are solo flute pieces rooted in Peruvian folklore traditions and Andean instrumental performance. The purpose of this dissertation is to provide flutists with technical and interpretative guidance in preparing these pieces. Yar… more
Date: December 2023
Creator: Romo Bocanegra, Jossecarlo
Partner: UNT Libraries
open access

The Saxophone Meets Chinese Culture: A Guide to Works for Saxophone by Composer Zou Xiangping

Description: Zou Xiangping is one of the most significant Chinese composers who writes music for the saxophone. These works, however, are not well-known in the classical saxophone repertoire. The purpose of this dissertation is to help international saxophonists develop an enlightened understanding and ultimately, performance of two selected pieces by Chinese composer Zou Xiangping (邹向平) (b. 1951), Images of Yalong River for Alto Saxophone and Piano (雅砻江印:为中音萨克斯管和钢琴) and Song of Chuanjiang River Boatman for… more
Date: December 2023
Creator: Zhang, Cehuai
Partner: UNT Libraries

A Performance Guide to Zili Li's Viola Concerto No. 1 (2010)

Description: The Viola Concerto No. 1 was commissioned in 2010 by Xidi Shen, a viola professor at the Shanghai Conservatory of Music, and composed the same year by Zili Li (b. 1938), a Chinese composer and violinist. For musical, cultural, and technical reasons, this little-known Chinese viola concerto strongly aroused my interest, leading me to use it as the research subject for my doctoral dissertation and to also introduce this work to Western violists. This dissertation provides a performance guide to Z… more
This item is restricted from view until January 1, 2026.
Date: December 2023
Creator: Chen, Fang
Partner: UNT Libraries
open access

An Analytical Study of the Suite for Violin and Piano (1935), Op. 6, by Benjamin Britten (1913-1976)

Description: The Suite for Violin and Piano, Op. 6 is one of the least-known compositions by Benjamin Britten. It has been considered unfavorably by critics and scholars due to its puzzling mixture of tonal and post-tonal elements. However, this dissertation argues that the suite is composed with a clear tonal framework, and its unique mixed tonal-post-tonal language justifies an in-depth analysis. This analytical study utilizes a linear progression technique - the voice leading produced by passing tones an… more
Date: December 2023
Creator: Lee, Hanjun
Partner: UNT Libraries
open access

Saxophone Instruction by Women: Experiences of Achieving the Rank of Full Professor at Post-Secondary Institutions in the United States

Description: Since the first saxophone professor at the Paris Conservatory in 1858, saxophone instruction has primarily been a male-dominated field. Numerous sources detail the experiences, lives, and influence of male post-secondary saxophone instructors. Women have made great strides in the performance and instruction of the saxophone at the post-secondary level, but sources discussing their lives and experiences are limited. Saxophone instruction at the post-secondary level in the United States began in … more
Date: December 2023
Creator: Heimann, Christa Marie
Partner: UNT Libraries
open access

Guillaume Connesson's "Le Rire de Saraï" (2001): Stylistic Analysis Focusing on His Eclecticism

Description: Le Rire de Saraï for flute and piano was written in 2001 by Guillaume Connesson. Although the composer's works have been commissioned and performed by numerous leading orchestras and musicians in Europe and the United States, his music is largely neglected by scholars. Despite the increasing popularity of Le Rire de Saraï, the piece also has never received scholarly attention. Therefore, an analytical study of the piece, its influences, and its context in Connesson's output will provide for a d… more
Date: July 2023
Creator: Lee, Hyunjee
Partner: UNT Libraries

"Shanai Awaz": A Performance Guide and Piano Reduction of John Mayer's Oboe Concerto

Description: John Mayer (1929-2004) was a British Indian composer and violinist. Despite his contributions to bringing Indian music to the West and his large output of works, the majority of his compositions remain largely unknown. This document focuses on Mayer's only oboe concerto, Shanai Awaz, which translates to "Sound of the Shanai" in Hindi. It is representative of his fusion of Indian and Western techniques. The performance guide helps the oboist navigate the fusion elements of the piece. Because no … more
Date: July 2023
Creator: Merchant, Natasha K.
Partner: UNT Libraries
open access

Utility Trombone Playing: A Practical Method for Students to Achieve Mastery of Alto, Tenor and Bass Trombone

Description: With the importance of versatility in freelance work in the world of trombone performance, along with increased competition for that work, the need for players to play alto, tenor, and bass trombones to a high level of proficiency has become more and more crucial. This, coupled with the growing number of orchestras looking to hire musicians who are highly competent on all three instruments means that university professors need to be able to teach all three instruments. This evolution of the job… more
Date: December 2023
Creator: Owner, Timothy Michael
Partner: UNT Libraries
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