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Faculty and Guest Artist Recital: 1991-10-29 - Ed Soph, drums, Fred Hamilton, drums, Mike Gallaher, guitar and Chris Seiter, trombone

Description: Jazz guest recital performed at the UNT College of Music Recital Hall.
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Date: October 29, 1991
Duration: 1 hour 37 minutes 15 seconds
Creator: Soph, Ed; Hamilton, Fred (Guitarist); Gallaher, Mike & Seiter, Chris
Partner: UNT Music Library

The question of being

Description: Recording of David Sheppard's The question of being. This work is for tape, which contains three sections. The sections are taken from a larger electroacoustic work, "The Humorless Puzzle", which helps link transformations between the present and past work. Section one considers the question of being. Section two look at the process of man regardless of the question, Finally, section three reflects upon consideration and progress. The sound were used by making electronically processed sounds.
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Date: 1991
Duration: 14 minutes 01 second
Creator: Sheppard, David (Musician)
Partner: UNT Music Library

In her own time

Description: Recording of Katharine Norman's In her own time. In this piece the speaker discusses memories concerning her life in London during the Second World War. Aspects of time and recorded sound replayed and transformed in the present, sound recorded on location, places, and people as they are now and were then also an important feature of this aural documentary.
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Date: 1991
Duration: 18 minutes 42 seconds
Creator: Norman, Katharine
Partner: UNT Music Library

Figures de la nuit (Faces of the night)

Description: Recording of Francis Dhomont's Figures de la nuit (Faces of the night). This piece is about dreams and the concept of one's existence within the night. There are samples of voices, sine tones, nature, and electronically built and/or manipulated sounds.
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Date: 1991
Duration: 26 minutes 27 seconds
Creator: Dhomont, Francis
Partner: UNT Music Library

Percorsi Ondulati

Description: Recording of Sani Nicola's, Percorsi Ondulati. This piece is inspired by the picture Sentieri Ondulati by the American painter Jackson Pollock, hosted in The National Gallery of Modern Art in Rome. There is a biographical sense in the meaning of the title and the composer. This piece utilizes sound from flute from ancient Dervish music, the voice of John Cage, and electronic sounds reproducing percussive sounds. These sources are repurposed and represent recurrent thoughts in the composition.
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: 1991
Duration: 20 minutes 21 seconds
Creator: Nicola, Sani
Partner: UNT Music Library
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