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Compositional Devices of Willem Pijper (1894-1947) and Henk Badings (b. 1907) in Two Selected Works, Pijper's "Sonata per Flauto e Pianoforte" (1925) and Badings' "Concerto for Flute and Wind Symphony Orchestra" (1963), a Lecture Recital, Together with Three Recitals of Selected Works of Bach, Vivaldi, Dahl, Françaix, and Others

Description: Substantial contributions to flute literature of the twentieth century were made by the Dutch composers Willem Pijper (1894-1947) and Henk Badings (b. 1907) in the Sonata per Flauto e Pianoforte (1925) and the Concerto for Flute and Wind Symphony Orchestra (1963), respectively. This paper is an examination of the compositional devices employed by Pijper and Badings in these two selected works, with a discussion of the elements of form, tonal language, rhythm, motivic usage, orchestration, and i… more
Date: December 1980
Creator: Clardy, Mary Karen
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
open access

The Flute Professors of the Paris Conservatoire from Devienne to Taffanel, 1795-1908

Description: Since its establishment (1795), the Paris Conservatoire has attracted top-ranking flutists who, through their playing, teaching, writings, and attitudes, (toward the Boehm flute, for example), have influenced flutists and composers throughout Europe. Through Paul Taffanel, who founded the Societe d'Instruments a Vent in 1876, standards of woodwind playing reached new heights. When Taffanel's students, Georges Laurent and Georges Barrere, emigrated to the United States, they influenced the style… more
Date: August 1980
Creator: Ahmad, Patricia
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
open access

Les Hotteterre et les Chédeville: Three Biographical Sketches in Translation

Description: This paper traces the genealogy of the Hotteterre and the Chédeville families through a translation of three works by Jules Carlez, Ernest Thoinan, Nicolas Mauger. Carol Padgham Albrecht annotates these translations with biographical information and highlights the contributions of the instrument makers.
Date: December 1980
Creator: Albrecht, Carol Padgham
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
open access

The Development and Evaluation of a Guide to Teach Selected Elements of Commercial Singing

Description: The purpose of this study was to develop a commercial singing guide that could be used as an aid in teaching selected elements of commercial singing. It addressed itself specifically to the following problems: determining how the selected elements of the commercial vocal style are produced, developing a guide for teaching the production of this vocal style to trained and untrained singers and evaluating the effectiveness of the guide.
Date: August 1980
Creator: Lebon, Rachel L., 1951-
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
open access

The Treatment of the Alto Flute in Orchestral Literature

Description: This paper presents a brief history of the alto flute and discusses its use in the orchestral literature of European, Russian and American composers. Analysis of selected passage from various works determine its use as either a solo instrument, doubling or reinforcing voice, or as part of an accompanying line.
Date: May 1980
Creator: Kirkpatrick, Linda M.
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
open access

A Comparative Analysis of Selected Keyboard Compositions of Chopin, Brahms, and Franck as Transcribed for the Marimba by Clair Omar Musser, Earl Hatch, and Frank MacCallum Together with Three Recitals of Works by Bartok, Crumb, Miyoshi, Kraft and Others

Description: This study is an examination of Earl Hatch and Clair Musser's transcriptions for marimba of Chopin's Waltz, Opus 64 No. 1, Musser's arrangement of Chopin's Mazurka, Opus 17 No. 4, Hatch's setting of Brahms' Hungarian Dance No. 5, and Frank Mac Callum's treatment of Franck's "Chorale" from the Prelude, Chorale and Fugue. Additionally, the role of the transcription during the Romantic Period, the historical development of the marimba transcription, and performance considerations of the specific w… more
Date: December 1980
Creator: Houston, Robert E.
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
open access

The Three Leading Female Roles in Der Rosenkavalier by Richard Strauss

Description: This paper discusses De Rosenkavalier, an opera written by Richard Strauss through collaboration with Hugo von Hofmannsthal, and its three leading female roles. Martha Hartman Whitmore divulges the historical background behind the work and compares the three soprano roles.
Date: December 1980
Creator: Whitmore, Martha Hartman
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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