14 Matching Results

Search Results

Results: 1 - 14

Goya's Los Caprichos: An Enlightened Bestiary

Description: This paper discusses research on Francisco de Goya's series Los Caprichos. A semiotic analysis of Francisco de Goya's prints 'Todos Caeran' and 'Devota Profesion' examines how Goya modifies the medieval iconography of the siren, the owl, and the ass to embody immoral aspects of contemporary Spanish society.
Date: April 14, 2011
Creator: Thompson, Julie & Donahue-Wallace, Kelly, 1968-
Item Type: Refine your search to only Paper
Partner: UNT Honors College

The Eighteenth Century Worker: Goya's Tapestry Cartoons and the Influence of the Enlightenment [Presentation]

Description: Presentation for the 2011 University Scholars Day at the University of North Texas discussing research on the eighteenth century worker and Francisco de Goya's Tapestry Cartoons and the influence of enlightenment.
Date: April 14, 2011
Creator: England, Erin; Hopkins, Caitlin; Thompson, Shana & Donahue-Wallace, Kelly, 1968-
Item Type: Refine your search to only Presentation
Partner: UNT Honors College

The Other Mary: The Absence of Mary Magdalene in the Santa Maria Trastevere

Description: This paper discusses research on the absence of Mary Magdalene in the Santa Maria Basilica in Trastevere, Rome. The author's research examines the social context throughout Rome during the medieval era, the status of prostitution, spatial analysis of Trastevere, and the inevitable entrance of promiscuity through the Santa Maria Basilica in Trastevere.
Date: April 14, 2011
Creator: Camp, Briana & Baxter, Denise Amy
Item Type: Refine your search to only Paper
Partner: UNT Honors College

A King's Decapitation

Description: This paper presents research on Francisco de Goya. This research proves that the painting of Francisco de Goya (1746-1828) from 1800 ('The Cannibals), and his paintings from 1820-1823 (The Black Paintings, 'Judith,' and 'Saturn,' and Miniature, 'Judith') represent changing ideas on decapitation of a monarch.
Date: April 14, 2011
Creator: Palyu, Cheryl & Donahue-Wallace, Kelly, 1968-
Item Type: Refine your search to only Paper
Partner: UNT Honors College

Goya's Fantastic Vision of Madness

Description: This paper discusses Francisco de Goya. Employing Foucault's discourse to specific works reveals Goya's ability to represent visually the fundamental tension between Romantic and Classical ideas, especially the ambiguous line between reason and madness.
Date: April 14, 2011
Creator: Prater, Paige & Abel, Mickey S.
Item Type: Refine your search to only Paper
Partner: UNT Honors College
Back to Top of Screen