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Barbe bleue : comédie en prose et en trois actes

Description: Although the story of Bluebeard was familiar to French readers from Charles Perrault’s 1698 collection of children’s tales, transferring it to the operatic stage was problematic due in large part to the gruesome nature of the plot. Other violent works had appeared in Paris, but in this instance, the drama was to be performed at the Comédie-Italienne, which typically featured lighter plots than that of Raoul and Isaure. Nevertheless, the opera had a successful run, receiving over a hundred per… more
Date: 1789
Creator: Grétry, André Ernest Modeste, 1741-1813 & Sedaine, 1719-1797
Partner: UNT Music Library

Orphée et Euridice; tragédie; opéra en trois actes

Description: The Viennese premiere of Orfeo was extremely well received, and Gluck decided to revise the opera as Orphée et Eurydice for Paris in 1774, with the French adaptation and additions provided by Pierre Louis Moline. The role of Orpheus was lowered slightly for an haute-contre singer (a male operatic voice type more in line with an alto range), adhering to French preferences. The opera was lengthened, to create a more magnificent spectacle, with extra arias, ensembles, and instrumental numbers. G… more
Date: 1783
Creator: Gluck, Christoph Willibald, Ritter von, 1714-1787 & Moline, M. (Pierre Louis), ca. 1740-1821
Partner: UNT Music Library

Colinette à la cour ou La double épreuve : comédie lyrique en trois actes

Description: A comparison of the scores for Colinette à la cour and Barbe-bleue illustrates the primary distinguishing factor between the genres of comédie lyrique and opera comique: the method of dialogue delivery. In Paris, the issue of genre was tied to the performance venue of a particular opera, due to government regulations. Although comic opera was traditionally presented with spoken dialogue, as in opera comique, when Grétry composed for the Opéra, where recitative was expected, he merged comic su… more
Date: 1782
Creator: Grétry, André Ernest Modeste, 1741-1813 & Lourdet de Santerre, Jean Baptiste, 1732-1815
Partner: UNT Music Library

A Cotillion

Description: One-half of a satirical cartoon depicts dancers in various poses in a horizontal line across the page.
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: 1788
Creator: Gillray, James
Partner: UNT College of Visual Arts + Design

Renaud : tragedie lyrique en trois actes

Description: Sacchini’s first opera for the French stage was Renaud. Although he had the support of Marie Antoinette, Sacchini quickly learned that foreign (especially Italian) composers in Paris faced difficulties. The premiere of Renaud was intentionally delayed in an attempt to highlight Sacchini’s privilege with the queen, and the opera did not enjoy immediate success, even from Piccinni’s supporters. However, Renaud went on to be performed frequently, appearing as late as 1815.
Date: 1783
Creator: Sacchini, Antonio, 1730-1786
Partner: UNT Music Library

Self Portrait with Daughter

Description: Painting depicting a self portrait of the artist with daughter.
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: 1786
Creator: Vigée-Lebrun, Louise-Elisabeth, 1755-1842
Partner: UNT College of Visual Arts + Design

Le Duc d'Uzes

Description: Painting depicting Le Duc d'Uzes.
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Date: 1787
Creator: Elisabeth-Louise Vigee-Lebrun
Partner: UNT College of Visual Arts + Design

Brandenburg Gate

Description: Panorama, E front with Tuscan pavilions & replicated side buildings
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: 1788/1791
Creator: LANGHANS, Karl Gotthard
Partner: UNT College of Visual Arts + Design

Self Portrait

Description: Painting depicting a self portrait of Angelika Kauffmann.
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: 1787
Creator: Kauffmann, Angelica, 1741-1807
Partner: UNT College of Visual Arts + Design

[Adam & Eve frontispiece etching]

Description: Etching print included as the frontispiece of a unknown volume printed in 1780. The plate includes a classic biblical image of Adam and Eve in the garden of Eden at the moment the snake offers the fruit to Eve. The image includes excellent details of various animals scattered around the pint such as a frog, various insects, birds and a partially hidden cow laying in the tree line.
Date: 1780~
Partner: UNT Libraries Special Collections

[Engraving of a woman holding a cross by Vitali]

Description: Italian engraving print of a woman holding a cross possibly the catholic female saint Margaret of Antioch. The print was a collaboration between painter Guidus Reni and was translated and printed by Pietro Marco Vitali in Rome in 1782. The image is accompanied by descriptive Italian text.
Date: 1782~
Creator: Reni, Guidus & Vitali, Pietro Marco
Partner: UNT Libraries Special Collections

["Ben J. Franklin L.L.D." engraving print]

Description: Engraving of "Ben J. Franklin L.L.D." for European Magazine printed on April 1, 1783. The design is attributed to William Angus and printed by J. Fielding. The engraving shows an image of founding father Benjamin Franklin in a circular frame to replicate a painting by F. Schwediauer.
Date: April 1, 1783
Creator: Angus, William & Feilding, J.
Partner: UNT Libraries Special Collections
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