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Armide: Drame héroique, mis en musique

Description: Armide was premiered at the Paris Opéra on September 23, 1777, recalling the earlier success of Lully’s opera of the same name, which premiered nearly a century earlier on February 15, 1686. After collaborating on several reform operas with Calzabigi, Gluck revived the older dramatic tradition of Quinault (Lully's librettist) by setting the older text in the modern musical style. The seventeenth-century five act model requires more continuous music, with few distinct arias, as well as diverti… more
Date: 1783
Creator: Gluck, Christoph Willibald, Ritter von, 1714-1787
Partner: UNT Music Library

Dardanus : tragédie lyrique en quatre actes

Description: Like Renaud, Sacchini’s second French opera, Dardanus, faced problems due in large part to the composer’s Italian heritage. The opera is based on Rameau’s Dardanus, which had been a topic of earlier dispute between the Lullistes and the Ramistes. After an initially disappointing reception, Dardanus was reduced from four acts to three. In its first form, the opera received only six performances, but the three-act version was performed more than thirty times during the eighteenth century. Da… more
Date: 1784
Creator: Sacchini, Antonio, 1730-1786; Guillard, Nicolas François, 1752-1814 & La Bruère, Le Clerc de, 1714-1754
Partner: UNT Music Library

Les Danaïdes, tragédie lirique en cinq actes

Description: Antonio Salieri began work on Les Danaïdes upon the recommendation of Gluck, whose health prevented him from fulfilling a commission for the work. Although Salieri was living in Vienna, the tragedie-lyrique was written for the Opéra in Paris, with a libretto by François Louis Gand Leblanc Roullet and Ludwig Theodor Tschudi based on Calzabigi’s Italian libretto.
Date: 1784
Creator: Salieri, Antonio, 1750-1825; Du Roullet, François Louis Gaud Lebland, marquis, 1716-1786 & Tschudi, Jean-Baptiste-Louis-Théodore, baron de, 1734-1784
Partner: UNT Music Library

Armide: Drame héroique, mis en musique

Description: Armide was premiered at the Paris Opéra on September 23, 1777, recalling the earlier success of Lully’s opera of the same name, which premiered nearly a century earlier on February 15, 1686. After collaborating on several reform operas with Calzabigi, Gluck revived the older dramatic tradition of Quinault (Lully's librettist) by setting the older text in the modern musical style. The seventeenth-century five act model requires more continuous music, with few distinct arias, as well as diverti… more
Date: 1783
Creator: Gluck, Christoph Willibald, Ritter von, 1714-1787
Partner: UNT Music Library

Dr. David Rogers

Description: Portrait of Dr. David Rodgers, seated in an armchair with red upholstery. He is holding a book in his left hand and a bookcase is visible in the background.
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: 1788
Creator: Earl, Ralph
Partner: UNT College of Visual Arts + Design

Daniel Boardman

Description: Portrait of Daniel Boardman, posing next to a tree out-of-doors. He is wearing a light-colored suit with a dark-colored coat and is holding a hat and cane in his hands. A river and city are visible in the background.
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: 1789
Creator: Earl, Ralph
Partner: UNT College of Visual Arts + Design

Georgiana, Duchess of Devonshire

Description: Portrait of Georgiana, Duchess of Devonshire, wearing a light-colored dress and leaning against columns draped with fabric. A landscape is visible in the background.
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: 1783
Creator: Gainsborough, Thomas
Partner: UNT College of Visual Arts + Design

The Washington Family

Description: Portrait of the Washington Family, posing around a table that has a map on it. On the left side, a man wearing a yellow and black suit is seated at the table; a young boy is standing next to him with his hand on a globe. On the right side of the painting, an older woman is seated across from the gentleman and a younger woman is standing behind the table, holding a map. A second man is visible behind them.
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: 1789/1796
Creator: Savage, Edward
Partner: UNT College of Visual Arts + Design

Captain Samuel Chandler

Description: Portrait of Captain Samuel Chandler, seated on a chair; he is wearing a uniform and holding a sheathed sword. There is a tricorne hat on a table to his left and a military painting on the wall above it.
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: 1780~
Creator: Chandler, Winthrop
Partner: UNT College of Visual Arts + Design

Thomas and Sally

Description: 1782 vocal score of Thomas Arne's opera Thomas and Sally, or the Sailors return. Dramatic pastoral in two acts by Thomas Augustine Arne to a libretto by Isaac Bickerstaff; London, Covent Garden, 28 November 1760. Thomas and Sally can claim to be the first all-sung English comic opera. It is noteworthy as well for the introduction of clarinets into the orchestra (Grove Music Online).
Date: 1782
Creator: Arne, Thomas Augustine, 1710-1778 & Bickerstaff, Isaac, 1735-1812
Partner: UNT Music Library

[Etching of a man with coins]

Description: Etching "Portrait of Man", designed Guercino Da Cento and printed by Austrian printmaker Adam Bartsch, in 1782. The print shows a man illustrated with loose and energetic lines standing and pointing at coins resting on a table.
Date: 1782
Creator: Da Cento, Guercino & Bartsch, Adam
Partner: UNT Libraries Special Collections

The Occasional: an Oratorio in Score Composed by Mr. Handel

Description: A sacred oratorio for mixed chorus (SATB) and orchestra (2 violins, viola, "principale", 2 oboes, 2 trumpets, timpani, and continuo). The score includes a list of subscribers and an index for each of the three sections of the oratorio. The anthem "God save the King" is included on pp. 164-26, each page bearing an additional sequence number from 14-26.
Date: 1784
Creator: Handel, George Frideric, 1685-1759
Partner: UNT Music Library

Sosarme

Description: This item is a copy from [ca. 1790] of the score of Handel's opera Sosarme to a libretto by Matteo Noris. The performance forces include: oboe, horns, strings (violin, viola, bass), continuo, and soloist singers. A list of important musical numbers, solo arias and duets of each act appears on p.116. The names of the subscribers appear on pp.[119-120]. The title page contains an engraving showing two mythological figures [possibly, the god Apollo and the Muse Erato] and musical instrument… more
Date: 1788
Creator: Handel, George Frideric, 1685-1759
Partner: UNT Music Library

The musick for the Royal fireworks

Description: This is a [ca. 1788] score of one of the arrangements Handel made of his "Music for the Royal Fireworks." The caption title gives indication that this version contains the music as performed in 1749. The Grove Dictionary of Music lists two other arrangements from ca. 1746. The performance forces of this edition include: trumpets (3), horns (3), timpani, oboes (2), bassoon, and strings (violin, viola, violoncello, and contrabass). The plate no. appears in both Roman and Arabic forms: No. XXI… more
Date: 1788
Creator: Handel, George Frideric, 1685-1759
Partner: UNT Music Library

Hercules: an oratorio in score

Description: The plot of this oratorio centers around Hercules's death by an inadvertent action of his wife Dejanira. Handel set to music the English libretto by Rev. Thomas Broughton's English, based on Sophocles' Trachiniae, and additions from Ovid's Metamorphoses. The performance forces include: soloists (SATB) and mixed chorus with oboes (2) violins (2), viola, Bass (unspecifdied) and continue. The index that appears on p.248 contains the incipits of arias, recitative and choruses for each of the thre… more
Date: 1788/1789
Creator: Handel, George Frideric, 1685-1759 & Broughton, Thomas, 1704-1774
Partner: UNT Music Library
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