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Primary view of Theory and Practice in the Traditional Chinese Music: Observations and Analysis
Huang, Hsun-Pin
December 1994
Primary view of The Fantasias of John Dowland: An Analysis
Walker, William J. (William Jared)
August 1986
Primary view of The Chaconne Bass as a Musical Topos in Mozart's Fantasia Music
Spicer, Mark Stuart
August 1990
Primary view of Analysis of Nocturnal op. 70 by Benjamin Britten
Frackenpohl, David J. (David John)
December 1986
Primary view of The Elements of Jazz Harmony and Analysis
Mahoney, J. Jeffrey
August 1986
Primary view of Scriabin: A New Theory of Harmony and Structure
McVay, Michael (Michael Jones)
December 1991
Primary view of A Study of the Effects of Frequency Variance on Duration Perception
Gay, Leslie C.
May 1980
Primary view of The Two-Part Framework in Selected Choral Works as a Harmonic and Stylistic Determinant
Turner, Michael W.
May 1981
Primary view of Seven Early Songs of Arnold Schoenberg from the Nachod Collection
Russom, Philip Wade
December 1980
Primary view of Messiaen's Influence on Post-War Serialism
Muncy, Thomas R.
August 1984
Primary view of A Study Of Lu-Pitch Name Signification: A Translation with Commentary
Tung, Anne An-Yi Lin
December 1986
Primary view of Tonality and Harmonic Motion in Copland's Appalachian Spring
Rober, Russell Todd
December 1993
Primary view of Assimilation of Baroque and Classical Essence with Romantic Sentiment: a Structural Analysis of Felix Mendelssohn-Bartholdy's Sonata in C Minor for Organ, Opus 62, No. 2
Chou, Kwong-Yan Godwin
December 1994
Primary view of The Pitch Content of Selected Piano Works of Toru Takemitsu
Fukuchi, Hidetoshi
May 1998
Primary view of Musical Borrowing: Referential Treatment in American Popular Music
DiGiallonardo, Richard L. (Richard Lee)
December 1998
Primary view of Harmonic Organization in Aaron Copland's Piano Quartet
McGowan, James (James John)
August 1995
Primary view of Preferential Strategies in Elliott Carter's String Quartet No. 2
Crafton, Elizabeth B.
May 1999
Primary view of An Analysis of Dominick Argento's "Peter Quince at the Clavier": the Music and Its Relationship to the Text
Gonzales, Cynthia I. (Cynthia Inez)
August 1990
Primary view of Harry Partch: And on the Seventh Day Petals Fell on Petaluma
Nicholl, Matthew James
August 1982
Primary view of Béla Bartók's "Four Dirges" for Piano, Op. 9a: A Complete Analysis
Terrell, John W.
August 1980
Primary view of History and Development of Theory of Lü: A Translation of Selected Chapters of Huang Ti-Pei's Perspectives of Chinese Music
Chen, Whey-Fen
August 1985
Primary view of Heroes Are Born Then Made
Miesak, Edward
May 1987
Primary view of Debussy's Use of the Motive in Thematic Construction as Found in "Images I" for Piano
Sheridan, John F.
May 1977
Primary view of A Study of Part Forms in the Selected Intermezzi (opp, 116-119) of Johannes Brahms
Yang, Byung H.
August 1979
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