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3 for 5

Description: Recording of Richard Zvonar's 3 for 5 for percussion, performed by Daryl Pratt. The piece is divided into three movements, with a different set of instruments for each. These are set up in three locations, which form an arc left to right across the performance area. Four playback speakers are situated beside and between the three playing locations. The tape sounds are entirely derived from recorded sounds of the percussion instruments. Throughout the piece, the live and recorded sounds continuo… more
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Date: 1979
Duration: 23 minutes 27 seconds
Creator: Zvonar, Richard

4 Poèmes

Description: Recording of Eugeniusz Rudnik's 4 Poèmes made in a technique for a recording studio of hand-held electronic music. The sound material is based on electronic effects, rustling, instrumental and vocal sounds. Each part is integral, allowing them to present in the order of choice.
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Date: 1976
Duration: 24 minutes 15 seconds
Creator: Rudnik, Eugeniusz

E 15

Description: Recording of Peter Kolman's E 15.
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Date: 1974
Duration: 12 minutes
Creator: Kolman, Peter

17 Juni 1944

Description: Recording of Thorsteinn Hauksson's 17 Juni 1944.
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Date: 1976
Duration: 50 minutes 48 seconds
Creator: Þorsteinn Hauksson, 1949-

Abracadabra

Description: Recording of Edmund Cionek's Abracadabra.
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Date: 1976
Duration: 3 minutes 30 seconds
Creator: Cionek, Edmund

Adagio

Description: Recording of Raoul de Smet's Adagio. For this work the composer had proposed harmony and relaxation "before anything else.” From there, a slow and steady tempo and very simple form. The sound material is provided by twelve ordinary sound generators. The work begins with a chord in the treble, slowly emerging from the silence or void sound and sustained by a regular pulsation in the bass, the result of differential sounds. Then several new sounds are added while others change timbre, octave, or … more
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Date: 1975
Duration: 9 minutes 42 seconds
Creator: De Smet, Raoul

Adieu a Terez

Description: Recording of László Király's Adieu a Terez. The sound materials of the composition were comprised of modulate female voice with diverse electronic mediums.
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Date: 1978
Duration: 12 minutes 14 seconds
Creator: Király, László, 1954-

Adjö

Description: Recording of Jukka Ruohomäki's Adjö. Sound material is all electronic sounds from the animation picture "Electric Bird Garden" (1974, manuscript by Marja Vesterinen, directed by Antti Kari). The piece was premiered at Young Nordic Music Festival (UNM) in the Temppelinaukio Church in Helsinki on 28 February 1975.
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Date: 1974/1975
Duration: 3 minutes 44 seconds
Creator: Ruohomäki, Jukka

Aegror

Description: Recording of Alfonso Belfiore's Aegror, a composition for computer made in 12 voices grouped in three channels. Two generating forces are at the basis of the development of the work, where one tends to the stratification (process also identifiable in the structure of the same sound) of the sound materials in massified and crystallized events, the other, contrary presence, tends, in the disintegration of these structures, to the restitution of a perceptible individuality to each layer up to the … more
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Date: 1978
Duration: 57 minutes 45 seconds
Creator: Belfiore, Alfonso

Aerial

Description: Recording of Barry Truax's Aerial for solo amplified horn and four computer-synthesized soundtracks performed by Steven Field. Aerial is characterized by an interplay between the solo instrument and the taped sounds in terms of complementary and contrasting sound colors. It attempts a close blending of the horn with the tape, not only in terms of timbre, but also with frequent pitch references, similar rhythms and quadraphonic spatial amplification. The horn is not intended to be heard as a 'so… more
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Date: 1979
Duration: 46 minutes 53 seconds
Creator: Truax, Barry

Air Piece

Description: Recording of John Heineman's Air Piece. Air Piece is a theatrical piece made on magnetic tape. Essentially made up of aircraft sounds recorded at the airport, on the airstrip and inside the terminal itself, the various sound elements are only edited and mixed together as in cinematographic technique. The piece was created at the Electronic Laboratory of the Conservatory of Pesaro.
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Date: 1970
Duration: 1 hour 5 minutes 08 seconds
Creator: Heineman, John, 1939-

Akonel no. 3

Description: Recording of Tamas UNgvary's Akonel no. 3. As per the composer, there is no program note for this piece. It is intended to be used for listening purposes only.
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Date: 1979
Duration: 17 minutes 56 seconds
Creator: Ungvary, Tamas

Akonel Number 3

Description: Recording of Tamas Ungvary's Akonel Number 3.
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Date: 1979
Duration: 17 minutes 56 seconds
Creator: Ungvary, Tamas, 1936-

All for One

Description: Recording of Scott Wyatt's "All for One" for solo percussion with electro-acoustic music performed by Thomas Siwe, percussionist. The piece was composed for a unique arrangement of percussion instruments and loudspeakers within the performance area, creating a large sound sculpture. "All for One" was written for and dedicated to percussionist Tom Siwe. It was awarded the 1984 CIME grand prize at the 12th International Electroacoustic Music Competition in Bourges, France.
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Date: 1979
Duration: 10 minutes 54 seconds
Creator: Wyatt, Scott A.

Amanecer

Description: Recording of José Vicente Asuar's Amanecer. “Amanecer” is formally a very simple work. Through this and other works, I try to project the possibilities of electroacoustic music in a sonorous universe where harmonic intervals prevail and a formal concept not far from impressionism. For a long time I experienced, as other composers have, new possibilities of sound and structure, matter and musical form, with electroacoustic sounds. I have not abandoned the search, but I want to choose some things… more
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Date: 1977
Duration: 8 minutes 11 seconds
Creator: Asuar, José Vicente

Amanecer

Description: Recording of José Vicente Asuar's Amanecer. Amanecer is a formally very simple work. Through this and other works the composer projects the possibilities of electroacoustic music in a sound universe where harmonic intervals and a formal conceptualization not far from impressionism prevail. The rationale behind works like Amanecer is a break on the path of a creator. From a utilitarian point of view, Amanecer is intended as music for Ballet, as an introduction to some more breathtaking work that… more
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Date: 1977
Duration: 8 minutes 11 seconds
Creator: Asuar, José Vicente, 1933-

Ambience

Description: Recording of Richard Orton's Ambience. Ambience for solo bass trombone and tape was written for the American Trombonist James Fulkerson and first performed by him in the Wigmore Hall, London, on 17 May 1975. He has since included the work in many recitals during his tours in Scandinavia, Canada and the USA. The title "Ambience" here refers to the imaginative sonic environment surrounding the sounds of the trombone, including the most "artificial," synthesized sounds, instrumental ensembles whic… more
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Date: 1975
Duration: 10 minutes 56 seconds
Creator: Orton, Richard, 1940-2013

Ambulator Memorensis

Description: Recording of Michael Keane's Ambulator Nemorensis. This piece was put together as a preliminary study for an experimental film by Nicholas Kendall called Tala. While the actual music used in Tala was quite different from Ambulator Nemorensis both are attempts to create an imaginary landscape (or to use Murray Schaefer's term "soundscape").
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Date: 1976
Duration: 9 minutes 04 seconds
Creator: Keane, David, 1943-2017
transcript

Ambulator Nemorensis

Description: Recording of David Keane's Ambulator Nemorensis. "Ambulator Nemorensis" was put together as a preliminary study for an experimental film by Nicholas Kendall called Tala. While the actual music used in Tala was quite different from “Ambulator Nemorensis” both are attempts to create an imaginary landscape (or to use Murray Schaefer's term "soundscape"). This piece is an honest attempt to create something beautiful.
Date: 1976
Duration: 9 minutes 04 seconds
Creator: Keane, David, 1943-2017
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